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  He re-entered it at nightfall, with the child, by way of the Barrier Monceaux. There he entered a cabriolet, which took him to the esplanade of the Observatoire.
  There he got out, paid the coachman, took Cosette by the hand, and together they directed their steps through the darkness,--through the deserted streets which adjoin the Ourcine and the Glaciere, towards the Boulevard de l'Hopital.
  The day had been strange and filled with emotions for Cosette. They had eaten some bread and cheese purchased in isolated taverns, behind hedges; they had changed carriages frequently; they had travelled short distances on foot.
  She made no complaint, but she was weary, and Jean Valjean perceived it by the way she dragged more and more on his hand as she walked.
  He took her on his back. Cosette, without letting go of Catherine, laid her head on Jean Valjean's shoulder, and there fell asleep.


BOOK FOURTH.--THE GORBEAU HOVEL
CHAPTER I
  MASTER GORBEAU
  Forty years ago, a rambler who had ventured into that unknown country of the Salpetriere, and who had mounted to the Barriere d'Italie by way of the boulevard, reached a point where it might be said that Paris disappeared.
  It was no longer solitude, for there were passers-by; it was not the country, for there were houses and streets; it was not the city, for the streets had ruts like highways, and the grass grew in them; it was not a village, the houses were too lofty.
  What was it, then?
  It was an inhabited spot where there was no one; it was a desert place where there was some one; it was a boulevard of the great city, a street of Paris; more wild at night than the forest, more gloomy by day than a cemetery.
  It was the old quarter of the Marche-aux-Chevaux.
  The rambler, if he risked himself outside the four decrepit walls of this Marche-aux-Chevaux; if he consented even to pass beyond the Rue du Petit-Banquier, after leaving on his right a garden protected by high walls; then a field in which tan-bark mills rose like gigantic beaver huts; then an enclosure encumbered with timber, with a heap of stumps, sawdust, and shavings, on which stood a large dog, barking; then a long, low, utterly dilapidated wall, with a little black door in mourning, laden with mosses, which were covered with flowers in the spring; then, in the most deserted spot, a frightful and decrepit building, on which ran the inscription in large letters:
  POST NO BILLS,--this daring rambler would have reached little known latitudes at the corner of the Rue des Vignes-Saint-Marcel. There, near a factory, and between two garden walls, there could be seen, at that epoch, a mean building, which, at the first glance, seemed as small as a thatched hovel, and which was, in reality, as large as a cathedral. It presented its side and gable to the public road; hence its apparent diminutiveness.
  Nearly the whole of the house was hidden. Only the door and one window could be seen.
  This hovel was only one story high.
  The first detail that struck the observer was, that the door could never have been anything but the door of a hovel, while the window, if it had been carved out of dressed stone instead of being in rough masonry, might have been the lattice of a lordly mansion.
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